The Internet Adventures of a Rogue Cartoonist 27

This week’s guest on Real Politik is political cartoonist Ben Garrison. In a sea of largely homogeneous editorial cartooning, Mr. Garrison brings a truly unique voice and vision. Presently a freelance commercial artist, Garrison’s first cartoons appeared in The San Angelo Standard Times in the early 1980s. He was also a graphic artist at the The San Antonio Express Newgarrison1s and The Seattle Post-Intelligencer.

In 2008, the big banks were bailed out, which served as Garrison’s wake-up call. Like many other outraged Americans, he wrote his senators and congressman, urging them vote against the bailout, but he was ignored. The bailout marked the point where Mr. Garrison felt he had to do something. He wanted to ring alarm bells and so he became a citizen muckraker. In 2009 he began drawing editorial cartoons that skewered the Federal Reserve and the growing police state in America. The Internet made it possible for his cartoons to be seen by millions all over the world. The Internet also made it possible for anonymous entities to deface his work, libel his name and make him into the most trolled cartoonist in the world.

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William Shanley Discusses $1 Trillion Lawsuit 82

Shanley On this joint edition of Real Politik and The Real Deal Connecticut-based author and filmmaker William Shanley speaks with James Fetzer and James Tracy on his trillion dollar lawsuit against big media for fraud and terrorism of the public via their reportage on the 2012 Sandy Hook Elementary School massacre event. Shanley maintains that the alleged shooting was a FEMA-orchestrated drill deviously presented by major wire services, newspapers, and broadcast and cable networks as an genuine tragedy.
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Sandy Hook Documentary Isn’t About Sandy Hook: The Fortress and What’s Inside 356

The release of the documentary, “We Need to Talk about Sandy Hook” by the group, Independent Media Solidarity has become a story of aggressive copyright fraud, a massive video upload movement and an unexpected Internet solidarity more than a story of the controversial Sandy Hook event itself.

The weakest link in a chain is the one you choose to break.WNTTASH_Poster_Art21

If you imagine manufactured events like 9/11, the Aurora theater shooting, Sandy Hook and others as links in the greater chain of deception, you might be close to understanding the circumstances in which these events are allowed to go unchecked. This chain of events cannot survive if any one of its links is broken.

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Faux Liberalism’s Politics of “Hate” 19

By James F. Tracy

Massachusetts Representative Edward Markey’s “Hate Crimes Reporting Act of 2014” proposes to exert Congressional authority over mass media employing speech that may “encourage … hate crimes based on gender, race, religion, ethnicity, or sexual orientation.” In contrast to establishment liberal Cass Sunstein’s proposed “cognitive infiltration” of unorthodox research communities questioning official narratives, Markey’s recommendation straightforwardly lays the groundwork for the criminalization of free speech—and prospectively any other intellectual or journalistic endeavor the state deems undesirable. Indeed, Markey’s power play is an especially compelling—though increasingly commonplace—example of despotism masquerading as liberalism, one that no honestly free society would seriously consider.

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The Sandy Hook School Massacre: A Compendium of Research and Analysis 64

Beginning in the late 1960s Operation Gladio and its corollary maneuvers proceeded throughout Europe, spanning over two decades. Researchers and even the testimony of public officials have since proven that the series of seemingly random orchestrated bombings and shootings was intended to cultivate the necessary degree of anxiety and “tension” that would keep the populace tethered to police state authority and supportive of the right wing regimes preferred by Western powers.

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The Censorship That Dare Not Speak Its Name 28

By James F. Tracy

This is a subtly revised set of remarks given at “The Point is to Change It” conference on November 1, 2013 at the University of San Francisco. The event was co-sponsored by Project Censored.

The panel on which I participated was organized by Project Censored Director Mickey Huff to address the contrast between the radical journalistic activity practiced by Project Censored and the decade-old US media reform movement that has sought to initiate broader policy changes at the federal level. In previous years PC has been excluded from media reform events, likely because of its research and criticism of foundation-funded progressive-left media and the censorial practices they impose on themselves and their peers.

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The Financial Bearings of Manufactured Dissent 99

By James F. Tracy

This article was originally published at Memory Hole and Global Research on August 3, 2012. It is reposted here for further consideration in light of Nolan Higdon’s article, “Disinfo Wars: Alex Jones’ War on Your Mind,” published by Project Censored’s in September 2013, and the exchange concerning that work taking place here earlier this month.

The following should not be seen as a blanket condemnation of progressive media outlets, which often produce important work. Rather, the observations suggest how, particularly when faced with the challenge of forthrightly addressing “deep events” and the equivalent, such media are arguably subject to similar institutional pressures and self-censorship more overtly exhibited by their corporate-owned counterparts.*

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Video: James Tracy Responds to Latest MSM Assault 37

Early on September 18 James Tracy posted several videos, photos and other materials, most of which were emailed to him by MHB readers concerning the September 16 DC Navy Yard shooting incident. No discernible claims or arguments were made regarding what took place at Navy Yard, only attempted descriptions of the items posted.

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